Sunday, September 21, 2014

Happy Birthday Leonard Cohen



Happy Birthday poet!


You filled my silent moments with your husky voice that ages like whisky and becomes evermore tender as you get older.


I don't know where to start... from finding your house near Marie-Anne street in Montreal, or the tears I shed in Budapest while sitting in the first row, watching you perform 'Lover, lover, lover' with that amazing lutist? From the depth of a kiss to how you say 'I'm your man'? From the flaming words of 'A thousand kisses deep' to the blues of 'famous blue raincoat'? From the excitement of 'First we take Manhattan' to then taking Berlin? I don't know which one... I have memories with all your songs... memories in different places, memories that travel.

Happy Birthday poet
Happy Birthday!

Monday, June 16, 2014

Wojtek, Krakow, me, and my host



 





Krakow had been on my list of cities to visit since more than a decade ago. The reason being its beauty and the fact that I heard a rumour that it was so beautiful that Hitler didn't destroy it. This was a nonfact indeed. The fact was that Krakow was invaded in the first week of September in 1939. Of course I told this to my courchsurfing host in Krakow, when he asked me : why Krakow?

My host's profile on couchsurfing was the one I had spent the longest time reading since I joined couchsurfing 4 years ago. I clicked on different links that he shared to intriguing ideas and the group he had started on couchsurfing, to gather TEDers as I coin the term and couchsurfers to share ideas.

My host was a British living in Krakow. One of those amazing travel stories was that when he was driving me to his place, he told me that he was involved in a project to commemorate Wojtek, the Syrian Soldier bear that was found in 1942 in Iran by the Polish refugees from Stalin's gulags. Richard told me that the statue of Wojtek was unveiled the day before, i.e. the day I arrived in Krakow. I was astounded. What were the odds that I, an Iranian travel to Krakow and be hosted by the person who had a significant role in making this project happen, and Wojtek's statue be unveiled the day of my arrival in Krakow? Richard's goal was to use Wojtek, to draw attention to the history involving Poland, Germany, Russia and Iran. He created a facebook page for this project.
Can the statue of Wojtek be built in Iran?

Here's a part of an article on the untold story of Soviet deportations during WWII.

"...When Stalin switched sides after Hitler’s surprise attack on Russia in June 1941 and granted the Polish exiles a short window of so-called “amnesty”, only a small number, about 115,000, led by General Anders, managed to escape to freedom through Persia (Iran) in 1942. This is the untold story, Ms. Golubiec believes, that the film “A Trip to Nowhere” captures so eloquently in an animated collage of images, songs, sounds and voices of the survivors."

Wednesday, January 1, 2014

A shared New Year's Resolution: Talk, Look, We're Still Physical Creatures in a Physical World

Last week, while I was watching The Daily Show on Comedy Networks, I saw a commercial that was quite different from what we usually see. A woman was recording a message on her voicemail, saying that she was not available that day and gave instructions to callers to either leave a message or call her other colleague. The camera zooms out and we see her in her kitchen. She hangs up and almost burst into tears. Then we see a bold line appear, "Everyday, 500,000 Canadians miss work due to a form of mental illness." A curious as I was, I searched and realized that there is a "Let's talk" campaign and in Canada, it is actually a serious problem. The sad part is not only this but that it became a serious problem only when loss of capital is calculated to be enormous. "With 500,000 Canadians missing work each day because of a mental illness, the impact in lost labour -market participation was an estimated $20.7 billion in 2012 alone."



It's the age of loneliness. People do not die from plague anymore but dozens of mental illness, especially in the west are plaguing people. It is becoming more and more difficult for people to communicate with each other, not only verbally but by looking and smiling at each other. I was talking to an American friend of mine in Berlin who's been living there for the past 5 years. She told me that one of the things that she learned there about Germans, was that when she walked in the street, if there were people in their balcony, she should NOT look at them because then she would be invading their private space, "so I look straight ahead," she said. Another instance came from my uncle who lives in Norway and told me that one out of four Norwegians take pills for mental illness, the most important of which is a result of lack of talking.

There are a few commercials and projects that deal with people's issues with human contacts and how they have changed in our times with the ubiquity of smartphones and social media. I do not think that we should stop using them cuz that is retrograde. I just think we have to know HOW to use them in order to avoid sad consequences of loneliness, loss of eye contact and actually talking to each other.
Since last September, I've been spending a lot of my time working and studying at home with no real human contacts except with my classmates in class and people I see in gallery openings.  I can see that when I go out after a while, I become excited to see people but sometimes became upset that most people are playing/working with their smartphones and are so aware of keeping their distance from each other.

A few months ago, I was introduced to someone in a gallery and while I was talking, the girl just pushed me away from her and said that she needed her space because she had a bubble around herself. I was so shocked at that moment and became doubtful about my physical distance from people. As soon as I left there, I called my closest friend and asked her if she thought I stood too close to people when I talked to them. She thought for a few seconds and as surprised as she was at my unanticipated question, said, "No, why do you ask this?" I told her the story and said, "I guess people here are very outright with saying how they feel." But it was not about being outright, she thought it was rude, "I wouldn't push someone if I feel they're too close, I would step back myself; besides, I don't think you stand too close to people. This is an extreme encounter and it's the first time someone tells you this, so don't worry." But then, I could not stop thinking about this. I even thought it could be because of a cultural difference but again, I lived in different countries west and east, and it never happened to me.

I found these videos interesting, so I just share them here. I just wish that we become closer to each other, look at people, exchange smiles, feel at ease to start a conversation in public transport, and less concerned with our physical space in 2014.



Sunday, May 19, 2013

When the bubble magically bursts

After I closed my music weblog on the 69th day of posting a song, something magical happened for the second time in my life. I was thinking about it since yesterday that it happened and when I decided to write it here, I realized that there are some experiences in life that unlike the title of this blog, repeat in one way or another, though that doesn't make them alike. I write it as a witness to remember, though I can't promise myself that I will learn from it and that's when the unrepeatability of the experience comes to the fore.

Has it ever happened that you found out that you were in a bubble for a while, protecting yourself from the existing realities? A bubble that floated in the air, carrying you over the clouds, leaving you with positive thoughts about things and people around you; a bubble that acted like a shield and helped you to avoid negative thoughts and to see people through rose-tinted glasses. Then suddenly that bubble bursts and you fall, you will most probably fall on a hard surface and will find it hard to get up. You will feel numb and it will take a while to understand you're no more in a bubble. Then you will feel pain in your body, a kind of withdrawal pain, in the most dramatic case, a kind of pain that a heroin addict might have while trying to quit. Then if you're strong enough, you gather yourself for a leap. Your vantage point when you stand up on your feet is different from the one inside the bubble. The rose-tinted glasses are smashed and you look at life with no filter in front of your eyes.

The best possible person to burst that bubble is the very same person for whom you put yourself in that bubble; the same person for whom you put those rose-tinted glasses on, for the sole reason of not destroying your good memories and positive thoughts about them. When that person bursts your bubble with a simple touch, you wake up into reality and see them the way they are, not the way you wanted them to be.

To go over the shock of the fall, the numbness and the pain, you have to overdose yourself with the very same thing that made you reminisce about the past and stabbed your heart. You have to overdose yourself with it and shatter your heart into pieces. Then you will feel like a patient who had just been recovered from a surgery; or a person who had just thrown up after feeling inebriated. The wounds heal and your mind clears, you're ready for a new view.

Through your fall, that person also falls and breaks like a glass and his pieces scatter away. Unlike your heart that is still alive with the blood that runs through it, and gathers all the torn pieces to heal your wounds, that person will never be the same person in your mind. No, you will not hate him, but you will become neutral as if he never stepped into your life; as if he never told you those rosy words; as if he never kissed you for half an hour; as if he never stayed in your arms the whole night twisting his legs around yours; as if you never felt feverish sitting on the couch, talking to each other, listening to music till four in the morning; as if he never touched his forehead saying "oh God" after seeing you on skype; as if he never gave you any of those compliments... Instead, you will remember how unnecessarily kind you were. You start remembering all those words and acts that hurt or disrespected you and you never thought about them until he burst that bubble around you and reminded you of what was going on.

After I recovered from overdosing myself for one day with THE song, my view was clear. There was no mystifying element about him and about what happened or didn't happen. There was no question mark. All was gone... It was time to sing.


Monday, April 29, 2013

Taken 2

I wrote this on April 22nd.

A friend once said that it's a sin to watch a decent film on the plane. So I decided to watch a Hollywood  style movie (if you know what I mean) on my way back to Montreal from Edinburgh. I watched Taken 2. When I watched Taken a few years ago, the film did not have its Muslim vilification flavour. I guess a lot of things have changed since then. At the moment that I'm writing this, less than 10 days have passed from Boston marathon explosion and  already a considerable number of Muslims have been the target of disdain by some ignorant people in the States.
Taken 2 is another cinematic attempt to vilify Muslims by taking advantage of the current political atmosphere against Muslim and as a consequence, it consolidates the existing Islamophobia.
For those of you who haven't watched it, in Taken the daughter of an x-CIA agent is kidnapped by a Albanian gang in Paris. Since Bryan's daughter is virgin, instead of being drugged and exploited as a prostitute, she is saved to be sold to an Arab Sheikh for a high price. Why an Arab Sheikh? Because some of them think that having sex with a virgin girl will prolong their lives. The gang functions in Paris since they have a connection with a corrupt former French agent.
In Taken 2, the story happens in Istanbul and we realize that the gang was Muslim when the father of the guy who kidnapped Bryan's daughter, announces that he wants to take revenge at the burial of his son, after saying some prayers in Arabic. Then we see Hagia Sophia's minarets, we hear azan in the background that all together prepare us for the theme of the movie and decide for us the hero and the villains. By the time the 3 members of the family are in Istanbul, we know that this innocent American family is going to be the target of kidnapping by some ignorant Muslims who are led by a father who is filled with feelings of revenge and hate. The daughter, Kim, has failed her driving test several times but she's a stunt driver in Istanbul's narrow alleys, drives like James Bond and passes in front of a train within a few milliseconds it crashes the car. Don't worry if you don't pass the driving test in America, you can still drive like James Bond in the Middle East! Your father keeps his cool even when your mother is hung upside down with a rope in a dungeon in front of him. He calls you, gives you the directions, tells you to detonate a few grenades here and there and guides you to his location with an accuracy more precise than a GPS. Heaven knows how he came up with that while he was blindfolded in a car. Oh no, I forgot, he's an American, a superhero, this is a piece of cake for him.
The movie ends with a happy ending where the family is reunited and everyone has a milkshake. How lovely! How innocent, how intelligent these Americans and how villain, revengeful and corrupt these Muslims are!
I wonder, I just wonder why we never see any movies about Rais Bhuiyan, a victim of hate crime after 9/11 who instead of hating Mark Stroman, the man who shot him and left him with severe injuries in his right eye, launched a campaign requesting Stroman's death penalty be commuted to life in prison with no parole (read more here.) Why there is no film on the outrageous Khandahar Massacre in which Robert Bales, the American soldier killed sixteen Afghan civilians, or similar events?
It's a sad reality. May we all be conscious of what's going on in this world and not be transfixed in front of the screens of leading film production companies.



Sunday, April 21, 2013

Granny, the house feels empty without you

Yesterday I called my dad while I was still in bed, before getting into town and discovering Edinburgh on foot. "I have a bad news for you" he said, making sure that my conference presentation was over and that I had already submitted my exams. My heart started beating fast. I was silent. "Your granny passed away two days ago," he said. I burst into tears. "We didn't want to tell you to distract you from what you were doing." For a moment, I thought how considerate of them but how distant I was from them.


Granny was my great grandmother, a selfless beautiful woman inside and out, who had stayed in home for almost twenty years, because she had problem walking, yet this imposed confinement did not make her grumpy nor did it create any sort of complex in her character. She lost her husband at a young age and never remarried. She was forever in love with him and because she was religious, she had one wish only, and that was to reunite with her husband "if I deserve to go to heaven" as she said.

When she talked about him, tears ran down her eyes. She lived with her only daughter and was the light and joy of the house. She thought about everyone and her arms was a refuge for all of us, her great grandchildren, her grandchildren and her daughter. I never heard her lie or give an unfair comment about anyone. She was an honest storyteller whom I always trusted without a shadow of a doubt . Whenever we were leaving the house, she said "I entrust you to the hands of God." I could never find an equivalent in my own words but I could feel the beauty of her words in the mind of a believer. It was the best kind of farewell. One could tell someone, "I entrust you to the powers of the good," or "I wish you safety on your journey," or "I wish you a safe journey" or… I don't know.

My granny was going to hospital back and forth in the past few months. Every time I called my uncle, I was hoping not to hear a bad news. She was suffering from heart, lung and kidney malaise. My aunt told me that when they were after the 13th day of the year (in Iran, the new year's holiday ends after the 13th day), she had told her: "now that the 13th is over, I can die; I won't ruin your new year's holiday." I sobbed when she said this. How thoughtful can one be to even think about the time of her death? My auntie also told me that the night before she died, she had dreamed of her husband telling her "you have suffered enough; it's time you come to me." She died peacefully the next day. Now that I'm writing these words on a train and watching the scenery passing the train by, I'm thinking about our journey in life, how life passes us by with all its good and bad memories, with the pains and laughters. We know about death, it's been there for zillions of years and yet we feel so weak and helpless when we face it, when one of our closest ones dies.

I was thinking about the first time I faced the death of a person whom I had seen in real, my father's uncle. It was weird and uncanny. I did not comprehend that he did not exist anymore, that he was simply not there and was not going to be there. I went around the house and came back and wanted to call him but kept silent when I realized that he was no longer sitting on his armchair.

It will still be the same when I visit my granny's house. I will still be searching for her in that house, on that chair near the stove where she cooked the most delicious foods for us, on the floor where she sat and knitted pullover and scarves, and on the leather chair she sat where I combed and plait her beautiful all white hair. I never wanted to think that I wouldn't see her when I said goodbye to her last year before leaving Iran. My granny, my sweet, kind granny, that house should feel empty without you. I don't know how I'm gonna enter it.

Wednesday, September 19, 2012

My Beautiful Country (Die Brucke am Ibar)








It is not easy to be neutral when talking about war. It is not easy for a photojournalist to choose between his responsibilities as a documentarian and as a human. History is written by the victors or rather is more disseminated. The question of taking side of which country is not as straight forwards as it is decided in the meetings of politicians over a table, having a cigar in one hand and a glass of cognac in the other hand. The life of innocent people is definitely not the first concern in these meetings.

In “My Beautiful Country”, Michaela Kezele, the Serbian-Croatian director, observes the war from the perspective of human relations and emotions, emotions that don’t recognize war. Danica, a young Serb who still mourns the loss of her husband during the war, lives in a small Albanian-Serbian village near Ibar river with her two young boys. When Ramiz, an Albanian soldier seeks refuge in her home, she is scared and hesitant at the same time. By accepting him, she would be officially making her home a shelter for her enemy; by refusing him, she would disregard her values as a human. She chooses the first because these values still weigh more than the rules that made her once neighbour, her current enemy. A bridge over Ibar, which is the translation of the original title (Die Brucke am Ibar), separates these neighbours, but cannot raise hatred in people like Danica who doesn’t have time for hatred!
The natural relation between Ramiz and Vlado, Danica’s younger son develops into a friendship, which is in stark contrast with the way soldiers brutally humiliated their opponents in the beginning of the movie.
Love develops between the alleged enemies; between Vlado and a young Albanian kid, between Vlado and Ramiz and of course between Danica and Ramiz. The beauty of this film is how these loves relate and their protagonists follow each other as they take us with them throughout their journey.
An important issue brought up in the film was the use of depleted uranium ammunition by NATO in Kosovo and Bosnia. This issue was so controversial that prevented the screening of the film in parts of the concerned region.

The tragedy of war is not always about people who are killed by their enemy but people who are killed by their ally. This, in my opinion was the highlight of this film and the director portrayed this as delicately as possible.
“My Beautiful Country” was Kezele’s first feature film and was shown in the 36th Montreal World Film Festival. 

Wednesday, September 5, 2012

The Words






       

We admire authors; their words are our companions in bed, on the plane, in the park and in our solitary moments. The words take us to the ancient times, to the farthest place on Earth we never visited; to the lives of people like us or so different from us. The words play with our imagination. Deprived of visual means, the words can so delicately describe a scene with such details that we would not notice if we were to see them with our own eyes. Words portray a feeling so subtly that we can trace the most powerful inner emotions just as we can trace the brush strokes on a canvas. 
Although we think highly of our favorite authors, we don't really know what they went through to get to the point where their words get published and reach us. 
"The Words", is a story within a story of two men, both aspiring writers whose fate coincide in a dramatic circumstance. Rory, a young American writer, dreams of having his two novels published. His words are ‘too artistic’, ‘too fine’ to be published as an unknown author. The continuous rejection by publishing houses frustrates him when he suddenly finds a story as old as the yellow papers on which they were typed, in a vintage bag his wife buys him during their honeymoon.
Reading the story affects Rory tremendously to the point that he believes he is nothing compared to the unknown writer of his discovery. He decided to type the story, without changing a word or a single punctuation. When he receives his wife’s awe and praise after she accidentally reads the story, for a moment he believes himself to be the writer of that novel. 
The book gets published, Rory reaches stardom as his dream came through. But not long after, he encounters the truth, the real author who followed him after his fancy book openings, not to defame him but to tell him his life story and his inspiration to write that novel. A man who loved his words so much that he sacrificed the woman who inspired him to write them.
‘The Words’ takes us on the journey of two writers with extreme ambitions. One leaves his wife for the sake of words, the other steals is so desperately fascinated by words that he steals them. 
Although there is a third story containing these two stories, its presence in the movie was completely unnecessary and in my opinion it even marred the riveting story line. The bogus and tawdry gestures of Olivia Wilde and her ostentatious act and dialogue with Dennis Quaid not only didn’t relate to a Columbia University grad student but also gave a cheesy taste to the movie end. However the masterly play by Jeremy Irons as well as Bradley Cooper save the movie and one can ignore that downside.

‘The Words’ by Brian Klugman was in the world competition in Montreal World Film Festival, with the presence of Klugman and the crew at Cinema Imperial on August 29th. 

Anfang 80 (Coming of Age)







When we think about falling in love, most of the times we relate it to youth. When we think about ‘happily ever after’ couples, we imagine an old couple walking hand in hand on the street. If we see such couples, we usually picture a long life they’ve shared together; through the good and bad; through happiness and pain; and through laughter and tear.
‘Coming of Age’ transforms this impression by portraying some of the most heartfelt feelings between people of age. It does this not by arousing a sense of pity towards the old; on the contrary, it enlightens some of our wrong perceptions about them.

Rosa, an eighty-year old woman, meets Bruno, after discovering about her terminal cancer. She is quite independent and unconventional as she refuses to undergo chemotherapy. Rosa is still alive yet her niece rents her apartment without her permission.

Bruno’s inspiration after he meets Rosa, his will to enjoy the taste of love in the last years of his life is astounding. He is quite levelheaded when he announces the news to his wife and his children. He doesn’t bother explaining much.

Together, they rent a new apartment; they go to IKEA for choosing furniture for their home; they make love; they dance; they even smoke pot. Careless of the world around them, they taste the beauty of love and caring beside each other.

Rosa is elegant. At the age of 80, she smiles and laughs from the bottom of her heart. Her firm character during the movie and the way she manipulates different situations with young people is admirable. To the young, the old are ‘invisible’ as she put it.  However she does not give in and insists on her visibility. She is not piteous; she’s admirable. Rosa, this daring woman slaps the young radiographer after she mindlessly ignored that Rosa was standing there, waiting for her instruction for quite a while.


The astounding play by Karl Merkatz who portrayed an old man’s desire to taste love and his efforts in taking care of his love, at the age when he himself needed to be taken care of, was remarkable. There was a perfect balance in the choice of the accompanying role by Christine Ostermayer.

Anfang 80 or Coming of age, a movie by Gerhard Ertl and Sabine Hiebler, was in the world competition in the 36th Montreal World Film Festival.  Karl Merkatz was chosen as the best actor in the festival on September 3rd. The movie also won the Public Award for the most popular movie of the festival. 

Wednesday, March 21, 2012

Dave Brubeck: In His Own Sweet Way


This piece was played on March 21st, 2012 at CKUT radio and includes my short review on "Dave Brubeck: In His Own Sweet Way", one of the movies at FIFA (Festival International des Films sur l'Art" in Montreal. It also includes a listing of some of my favorite movies in the 30th edition of this festival.
FIFA is between 15th and 25th of March. Do check it out.

Wednesday, November 16, 2011

(No) Laughing Matter aka Blagues à part


This is my review of this film followed by my interview with Vanessa Rousselot, the director.

 

While we are bombarded on a daily basis with news and images of casualties, screams and cries of people who lose their loved ones in Gaza strip, and while this age-old conflict between Palestine and Israel seems never ending, we forget the fact that life goes on among those people all the same, that to survive, one needs to smile at life, no matter how unexpectedly harsh the response would be.

Whilst politicians denounce each other's deeds, making journalists produce hundreds of lines in the media, an unorthodox yet natural question intrigues a young French student: What are the Palestinian jokes? Driven to answer this question, Vanessa Rousselot sets off to The West Bank to learn Arabic for a year.

She comes across different reactions, sometimes from reticent people. "Our entire life is a joke", one of them says. Desperate to hear people's jokes, she asks her Arabic teacher for guidance. She tells her to start telling people jokes to gain their confidence and they will open up. She says: "I laugh, so I exist"

Vanessa finds out that Hebronites are butt of dozens of jokes in a similar fashion that French jest about Belgians.

A Hebronite and an Israeli Jew argue about the degree of freedom in their respective countries. The Israeli says: “Right in the center of Tel Aviv, I can shout: Netanyahu, you’re an ass." The Hebronite says in response: "right in the center of Hebroun I can shout: Netanyahu, your're an ass!"

It's quite thought-provoking when we see how people joke about their tragedy. A man in a cafe comes up with another one: “A child from Gaza asks his father, ‘Give me 2 shekels so that I can get to the checkpoint.’ The father says:‘1 shekel should do, since you’ll be coming back by ambulance.’"
Vanessa travels to Ramallah to visit an elderly anthropologist who started collecting jokes during the first Intifada. He said that people make jokes to cope with their situation; the Palestinians joke about things they think they can influence.

While The Palestinian jokes mostly revolve around themselves and their politicians, an Israeli girl working in a shop in Haifa tells Vanessa her version: "A good Arab, is a dead Arab".

While Vanessa passes alongside the Israeli West Bank Barrier fro Jerusalem to Bethlehem, my eyes are in search of the graffiti that Banksy, the English Graffiti artist made on that wall in 2005. I'm also reminded of the musical collaboration between Israeli and Palestinian young musicians which was conducted by Edward Said and Danile Barenboim in 1999.


It's through art that we come to fathom the world around us, since it redirects our awareness to the human aspects of life. 

Wednesday, October 12, 2011

Dancing dreams






It's been 7 months since its release in Germany and soon in European metropolises and I'm still awaiting Wim Wenders' Pina in Montreal. In the mean time, Cinema du Parc had been thoughtful enough to cater to the enthusiasm of Montrealers by screening the last film where "Pina Bausch" is seen, working eagerly on a dance project, "Kontakthof", with 40 amateur teenagers

After gathering these youth who had neither danced before nor had even heard of Pina Bausch, dancers Jo-Ann Endicott and Benedicte Billet lead them into what Pina had in mind, to manifest their innermost feelings through a common language, contact. They had to practice demonstrating their proximity while their bodies were close to each other. They learned how to touch one another and show their affection. One of the teenagers said that he hadn't even touched his girlfriend with this much affection, he just didn't know how. "I made friends with people whom I would ignore if I saw them in the streets" said another one.

Some of us might not take teenagers seriously simply because they seem immature but it takes hope and patience for a person like Pina to invest in them. She chose them to show how capable they can be in uncovering our very intimate feelings. This is a process that took 10 months, during which these adolescents learned how to respect one another, be serious at performing and connect not only with each other but also with their inner self.

They learned to build trust and become so close in a community that they find themselves talking about their worst romantic failures. They learned how to show charm in a seductive way, to portray insecurity through their moves, to epitomize confidence in laughing out loud while running and to connect with the roles they perform. The tender and reticent encounters at times turn into audacious confrontations.

To me, Pina was not just a choreographer and performer, she delved into the psyche in order to bring out the latent talents humans possess. Pina was successful because she "was not interested in how people move, but what moves them" and that's how she came to realize this project and show us the beauty of human encounters which culminated in the opening night at the end of the film.

Dancing dreams is screened at Cinema du parc with both English and French.

Wednesday, September 7, 2011

Here Without Me

The following piece is my short review of "Here without Me" and the interview I had with its director, Bahram Tavakkoli" which was aired this morning on CKUT radio.
Following the interview, we talk about an event held at Cinema du Parc, in support of Jafar Panahi.

 
The film's story is about a family whose 3 members are suffering from the current situation, in their own way. Yalda is lame and walks with a crutch. She cannot withstand people's look in public and sometimes faints. Thus she imprisons herself in house and obsessively washes and dries her crystal figurines who are the friends of her lonely hours. Ehsan, her brother, works in a warehouse which gradually eats his soul. The only thing that slows this down is relieving himself by writing and going to cinema. Ehsan is mesmerized by the magic of cinema. The mother is worker in a factory. Worried about her daughter's future, she works overtime to send her to a class to learn embroidery; she sells cosmetics to finance a new set of furniture for the day a suitor comes to seek her daughter's hand. Struggling to survive and dreaming are the main subjects of the movie.
"Here without me" was shown in Montreal's 35th world film festival. "Fatemeh Motamed Arya", was awarded the best actress for her role in this movie. Following comes an interview I had with "Bahram Tavakoli", the film's director.


Acey:When is this story happening and where does it take place?

Bahram Tavakoli: Without any precision on the time and place, the story happens in the contemporary time in Iran. In fact it's an adaptation of "the glass menagerie", a play by Tennessee Williams.

Acey: The reason I'm asking you this question is because the atmosphere in Tehran is different from other cities, particularly small cities. Do you think this story can happen anywhere in Iran?

Bahram Tavakoli:Obviously Tehran has different social classes and these social classes don't have the same cultural level, not only in Tehran but also in other big cities. In Tehran you can surely find families from a different social class than this family; however economically, this family belongs to a poor working class whereas it had previously lived a better life. My focus was on this class of Tehran society but as I said it can be from any other cities considering their different cultural backgrounds.

Acey: When Reza, Ehsan's brother, shows his fiancée's photo to Yalda, he tells her that they're getting married in a month. What we see in the movie, is that Yalda gets upset and Reza suddenly leaves their home. This leads the film into a new phase: Yalda stops eating while awaiting a telephone call from Reza like a lunatic. I, like Yalda's mother and brother thought that Yalda has gone out of her mind. Is this what you intended to make in the viewer's mind?

Bahram Tavakoli: From a certain point in the movie, where Yalda claims that Reza had called her, the film falls  into a suspension, meaning you can't make a definite decision on the process; something which also existed in the play by Tennessee Williams and we tried to dramatize it visually so that you wouldn't be able to distinguish between a dream and reality. This was one of the things we tried to do because in my opinion, one of the distinguished ideas of "glass menagerie" was to take you away into a magic realism. You are not able to discriminate  between reality, dream or others' nightmare and you mentioned it precisely, it all starts exactly from that telephone call. Until that point, everything is realistic. After that you experience a feeling when you see nightmare. Even watching good happenings, doesn't make you convinced that they are really happening.

Acey: I think the cultural atmosphere in Tennessee Williams' play is very different from your film. How did you handle this difference?

Bahram Tavakoli: This is a typical feature in any adaptation. Obviously you lose some details which you need to fill with other elements. Some facets can be culturally translated such as the type of intellectualism in Amanda which of course isn't logical  when it comes to a family from working class in Iran and so should be translated  differently. Another example is the relationship between a man and a woman. There are other instances too. This film doesn't claim and doesn't want to portray all the features in "glass menagerie". This is an Iranian look towards this play. We tried to portray people in today's Iran, in the role of the main characters, regardless of how well they conform to the characters of the original play; of course at some points, they don't.

Acey: So what happens between Yalda and Reza, is not a coincidence; you actually intended to point out a societal reality which is rooted in our culture, is that right?

Bahram Tavakoli: Drama is nothing more than actions and reactions between the characters. Naturally, these actions and reactions conform to their culture and so in this movie, they conform to today's Iranian culture. (bestare farhangi)

Acey : In all unlikelihood, Reza breaks up with his fiancée and asks  Yalda's mother and brother for her hand. If he wanted to do so, why did he show Yalda his fiancée's photo at first place?

Bahram Tavakoli: It's obvious that from a point, the film is not realistic. After the suicide scene, all we see is the son's dream and the last scene of the movie clearly shows this. If you want to see those scenes as realistic, for sure you will have this question. I hope with the cinematic marks and the last scene of the movie, viewers wouldn't have realistic interpretations .

Acey: So far, which movie or movies in Montreal's world film festival has caught your attention?

Bahram Tavakoli: I liked Artist, a French film which was silent. There was also an Argentinian comedy which I liked very much.

Acey: Thanks for your time

Bahram Tavakoli: thanks to you.